• Iain Gardner Showreel

  • Victoria Watson : Henry Westons Cider

  • Adam Webster : Wejo Animation

  • Animation Showreel

  • Tom Shrapnel : Boomf

  • Katy Davis : Meant To Be

  • Katy Davis : Seeing Others As They Are

  • Garry Marshall : Corgi

  • Matt Winn : Graham’s Dairy

  • Matt McDermott : Mumtaz

  • Bert and Bertie : Little Big Planet

  • Bert and Bertie : The Nutcracker

  • Garry Marshall : Aegon Animation

  • Tom Shrapnel : Boomf – Mother’s Day

  • Matt McDermott : Laterooms

    Production Company:  Kream

  • Matt McDermott : Electric Revolution

  • Matt McDermott : Dunelm

    Production Company:  Generator Films

  • Matt McDermott : Dunelm

  • Matt McDermott : Sharps Furniture

  • Matt McDermott : BBC Four

  • Tom Shrapnel : Boomf

  • Katy Davis : Blame

  • Garry Marshall Animation Reel

  • Tom Shrapnel : Fruittella

  • Bert and Bertie : Lemmings

  • Bert and Bertie : Innocent Smoothies

  • Victoria Watson : Baillie Gifford

  • Tom Senior : Badgers, Dodging the Bullet

  • Bert and Bertie : Scottish Government

  • Aaron Brady : Lub Lub

  • Katy Davis : RSA The Power Of Empathy

  • Katy Davis : John Tesh – Constipation

  • Katy Davis : Choose the Green Balloon

  • Katy Davis : CBBC Sofa Surfers – Mel

  • Tom Shrapnel: Brother

  • Sven Harding: Brighthouse

  • Simon Burrill: Bubbles

  • Matt Winn: Cycling Scotland

  • Mark Jewitt: Akko

  • Julius Berg: Orange

  • Julius Berg: Audemars Piguet

  • Richard Oliver : McLaren

  • Cosmo Wallace: Graphene

Animation

The use of animation in ads means there are no limitations to what can be achieved on screen, meaning brands can dream big and realise whatever vision they may have. Animation can be incredibly impactful and often be an economical means of production. It can also save time, removing much of the often costly shooting processes, and remove the dependency on actors to achieve goals. This also means that your animated characters can remain youthful, or otherwise, eternally, meaning a series can be created without the concern of actor availability or change in appearance. You can also cut out casting costs and have direct control over every component of the ad. The Gate has been successfully creating animated commercials, and integrating animation with live action, for years.